齣版社: Tuttle Shokai Inc (2014年12月1日)
平裝: 224頁
語種: 英語
ISBN: 4805313323
條形碼: 9784805313329
商品尺寸: 22.9 x 2 x 30.5 cm
商品重量: 1.2 Kg
ASIN: 4805313323
Featuring dozens of high-quality photographs, schematic designs and insightful commentary this Japanese architecture book is a must-have for architects or collectors.
The past five years are widely consider to have been the most innovative period in contemporary Japanese design history. The projects featured in "New Japan Architecture" were completed during this extraordinarily fertile time. Featuring breathtaking images of modern Japan, this volume presents forty-eight extraordinary projects by forty-two of the world's leading architects, including: Hitoshi Abe Ward Kishi Tadao Ando Chiba Manabu Architects Toyo Ito Kengo Kuma Kazuyo SejimaThis architecture book features a wide-range of buildings, some exhibiting the ultimate ideal of the white Zen cube, while others exemplify the search for the new wow factor in iconic design. In many, cutting-edge modernity is counterbalanced by a concern for sustainability an issue that has motivated many architects to rethink and reintroduce concepts drawn from traditional Japanese architecture. Projects big and small, private and public, residential and commercial are included.
Insightful text by two leading experts in the field of Japanese architecture highlights the remarkable aspects of each building and places these developments within the wider context of world architecture. Offering an essential overview of current trends, "New Japan Architecture" points the way to modern architecture's future."
Geeta K. Mehta teaches architecture and urban design at Columbia University in New York. A resident of Japan for 23 years, she is a partner in the firm of Braden and Mehta and has designed projects in USA, Japan, India, Vietnam and Indonesia. Educated at University of Tokyo, Columbia University, and SPA in Delhi, she is the co-author of several books including "Japan Style, Japan Houses, Japan Living" and "Japanese Gardens," all published by Tuttle Publishing.
Deanna MacDonald teaches Japanese and western art and architectural history at Temple University's Tokyo campus. She received her MA from the Central European University, Prague and her Ph.D. from McGill University, Montreal and is the author of numerous publications on the art, architecture and cultural heritage.
Cesar Pelli was born in Argentina where he earned his Diploma in Architecture from the University of Tucuman. After obtaining his Master Degree in the United States, he worked in the offices of Eero Saarinen. In 1977, he became Dean of the Yale University School of Architecture and founded Cesar Pelli & Associates, renamed Pelli Clarke Pelli Architects in 2005. In 1995, the AIA awarded him the Gold Medal in recognition of a lifetime of distinguished achievement in architecture.
Fumihiko Maki (b. 1928) is the founder of renowned architectural firm, Maki & Associates. Educated at the University of Tokyo and Harvard, he has taught at these and other institutes as well as lecturing internationally on architecture and urban design. Among his numerous distinctions are the Prizker Prize (1993) and the American Institute of Architects' highest honor, the AIA Gold Medal (2011).
翻閱這本書的過程中,我強烈感受到瞭一種跨越時代的對話感。它不僅展示瞭當下最前沿的建築實踐,還巧妙地穿插瞭對戰後日本建築復興曆程的迴顧與反思。這種曆史的縱深感,讓現代作品的意義更加凸顯。例如,書中對比瞭丹下健三早期的紀念性結構與當代建築對輕盈、流動的追求,清晰地勾勒齣一條清晰的設計脈絡和演變軌跡。這種對曆史傳承的尊重,使得書中的每一頁都充滿瞭厚重感,絕非曇花一現的潮流追逐。此外,書中對建築攝影的選擇也是一流的,很多照片不僅僅是記錄,更像是對建築精神的再詮釋,它們成功地捕捉到瞭建築在特定光綫、特定天氣下的“靈魂瞬間”。我尤其喜歡那種略帶憂鬱、但又充滿希望的氛圍,這與日本文化中對“物哀”的理解不謀而閤。這本書像一麵鏡子,映照齣當代日本在麵對全球化衝擊時,如何以一種極其剋製、內斂而又堅韌的方式,繼續書寫其獨特的建築故事。它是我今年閱讀過的,最具啓發性和收藏價值的設計文獻之一。
評分對於一個資深的設計從業者而言,尋找能真正帶來顛覆性思維衝擊的材料是越來越難的。而《新日本建築》恰恰提供瞭這樣一個平颱。它沒有迴避當代日本建築麵臨的挑戰,例如如何在快速城市化進程中保持本土文化的延續性,或者如何在緊湊的都市空間中實現居住的品質感。書中對“盒子式住宅”的解析,就展示瞭建築師如何通過巧妙的內部空間劃分和垂直綠化,將居住的舒適度提升到瞭一個前所未有的高度,這對於我們這些在有限空間內掙紮的設計師來說,簡直是醍醐灌頂。特彆是其中對“在地化技術”的再發現和運用,讓我對可持續設計有瞭更深一層的理解——可持續性並非一定要依賴昂貴的新型環保材料,而在於對手邊現有資源的智慧整閤。這本書的深度和廣度並存,既有對宏大城市規劃的探討,也有對小型社區改造的精妙案例,確保瞭即便是不同專業背景的讀者也能從中汲取養分。它讓我更加堅信,建築的未來,在於對本土經驗的深刻理解和對人類基本需求的尊重。
評分這本《新日本建築》的英文原版,光是捧在手裏,那種紙張的觸感和印刷的精緻度就讓人心頭一震。我原以為這隻是一本普通的建築畫冊,但翻開後纔發現,它簡直是一部濃縮瞭當代日本建築精神的百科全書。書中對隈研吾、伊東豐雄、妹島和世這些巨匠的代錶作,那種細膩入微的解讀,簡直讓人如同親臨現場。尤其是對材料運用和光影處理的文字描述,非常到位,完全能感受到那些建築師是如何與自然對話,如何將傳統美學融入現代結構之中。比如,書中詳細分析瞭某個項目中如何利用當地特有的木材,通過極其精密的榫卯結構,在不使用一顆釘子的情況下完成瞭復雜的承重設計,那種對工藝的執著和對細節的偏執,是隻有日本人纔能做到的極緻體現。我特彆欣賞的是,這本書不僅僅停留在展示美觀的最終成果,它更深入地探討瞭設計背後的哲學思考,比如“負空間”的概念,以及如何通過建築來迴應社會老齡化和人口流失等現實問題。對於任何一個熱愛建築、渴望理解當代東方美學如何與全球化語境交織的讀者來說,這本書絕對是案頭必備的靈感源泉。它激發瞭我重新審視“功能”與“美感”之間關係的思考,那種深層次的觸動是很多浮於錶麵的設計書籍無法比擬的。
評分這本書的英文錶述功力一流,即便是涉及復雜結構或晦澀的理論概念時,譯者(或原作者)的文字也保持著一種令人愉悅的清晰度。我尤其喜歡它在介紹每個項目時采用的敘事結構——先是背景介紹和基地分析,然後是設計策略的剖析,最後纔是材料和細節的展示,這種循序漸進的方式,極大地降低瞭理解門檻。例如,書中對某棟博物館的介紹,詳細描述瞭建築師如何根據當地的日照軌跡,設計瞭復雜的遮陽係統,這種係統不僅是功能性的,更在不同時間段為室內空間創造齣不斷變化的光影劇場。這種對“動態美學”的捕捉,需要極高的觀察力和描述力。我反復研讀瞭其中關於“透明度”的章節,它討論瞭日本建築如何利用玻璃和半透明材料模糊室內外的界限,使得建築成為一個可以被自然穿透的容器。這本書不是那種看完就束之高閣的“咖啡桌書”,它更像是一本需要經常翻閱的工具書和靈感庫,每當我遇到設計瓶頸時,翻開它總能獲得新的啓發,那種感覺就像是和一屋子的建築大師圍坐在一起進行非正式的研討會。
評分坦白說,我拿到這本《新日本建築》時,是帶著一絲懷疑的。市麵上的建築書太多瞭,很多都是華而不實的“硬照堆砌”,圖好看,但背後的東西空洞無物。然而,這本書完全顛覆瞭我的預期。它的排版設計本身就是一種藝術,乾淨利落,大量的留白恰到好處地襯托瞭那些極具張力的建築攝影作品。更值得稱道的是,它對一些非主流、但極具實驗性的年輕建築師群體的關注,這使得整本書的視角非常全麵,沒有被少數幾個超級明星事務所壟斷。書中對“地方性”建築的挖掘尤其令人印象深刻,比如探討瞭偏遠地區如何用微小、低成本的介入方式,激活一個沉寂社區的活力。這讓我意識到,好的建築設計絕不隻是為富人服務的宏大敘事,它更是一種社會責任的體現。我記得有一組關於臨時性裝置藝術的介紹,它們短暫存在,卻在材料的自然老化中完成瞭與環境的最終融閤,這種對“時間維度”的考量,非常富有詩意和哲學深度。這本書就像一位資深的導師,在你耳邊低語著建築的真諦,讓你明白每一塊混凝土、每一扇窗戶背後都承載著深思熟慮的理由。
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