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基本信息

书名：名师导学系列：2010年考研英语冲刺预测试卷(含考点精解)

定价：24.00元

作者：韩鹏

出版社：高等教育出版社

出版日期：2009-08-01

ISBN：9787040277159

字数：

页码：218

版次：1

装帧：平装

开本：16开

商品重量：0.359kg

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内容提要

《2010年考研英语冲刺预测试卷（含考点精解）》严格按照2010年考研《英语考试大纲》的要求编写，在体例设置、内容安排、考查目标等方面与2010年实际考研试题要求完全一致。本预测试卷由韩鹏老师字字推敲、精心编撰而成。为考生在后复习阶段提供了一套全面的、系统的考研冲刺试卷，使考生进入2010年考研考场时可产生“似曾相识”和“早已做过这道题”的兴奋。往届考生建议：冲刺阶段使用，检测复习效果和现阶段的水平，力求弄清每一道题的来龙去脉，总结答错题的原因。
　　《2010年考研英语冲刺预测试卷（含考点精解）》供考生在强化、冲刺阶段使用，其中包括新题型精讲精练、解题技巧及10套左右全真模拟试卷。各套试题为作者精心编制，具有典型性、针对性、综合性等特点，帮生进一步巩固基础阶段所学的基本理论、基本知识，掌握重点试题，熟悉答题方法，增强应试能力。

目录

模拟试卷一
模拟试卷二
模拟试卷三
模拟试卷四
模拟试卷五
模拟试卷六
模拟试卷七
模拟试卷八
模拟试卷九
模拟试卷十

作者介绍

文摘

Many people believe that America has gone too far iprotecting copyright at the expenseof the public good, including, it seems, the mission, which said last year that it saw noneed to lift its ow50-year limit. Its deadline for proposals ocopyright law has slipped fromthis year to 2006. But governments are likely to weigh iothe issue. France, Italy and Por-tugal have indicated that they support aextensioof the term, and Britaiis likely to stickup for its owmusic major, EMI.
　　Although artists and their estates want longer copyright, the big music firms would bene-fit from it the most, especially ithe next couple of decades, says StepheKing, chairmanof the Associatioof United Recording Artists and manager of the Libertines. （45）Now they have wised up about making deals. The best guarantee of financial security——saferthaclinging oto copyright——is hiring a good lawyer early on.
　　 He is unlikely to produce such a big hit ithe near future, so more of his attentionis directed to revising the old song and selling it to more people.
　　 Back ithe 1950s, he says, performers got only one-tenth of the share of royaltiesthat they do now. For years, artists have, with good reason, accused big record labels ofripping them off.
　　 This month, early recordings by Elvis himself started to enter Europe s public do-main. Over the next few decades a torrent of the most popular tracks from the Beatles, theRolling Stones and many other artists will bee public property iEurope——to the pleasureof fans and the consternatioof the music industry.
　　 The music industry also points out that America gives artists almost twice as muchcopyright protectioas Europe. America has repeatedly lengthened copyright terms, with thelatest reprieve, the Sonny Bono Copyright Term ExtensioAct of 1998, giving performersprotectiofor 95 years after publication.
　　 But whethe attentiois shifted from Europe to America, artists should feel muchbetter because the length of copyright protectiothere is eveshorter. It seems that theAmericagovernment is more interested iserving the public thathe already very rich art-isis.
　　 Music executives want the EuropeaCommissioto protect them from such unwel-e petitioby extending the copyright term.
　　 And that estimate accounts only for songs up to the end of the 1950s. Far more willbe at risk as music from the 1960s and 1970s moves out of copyright.

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