發表於2024-11-06
★ 收錄21世紀極具影響力的52位藝術攝影師的250多幅佳作;
★ 跟隨大師學習先進的創作觀念與技法;
★ 集知識性、藝術性於一身,探究後攝影時代令人興奮的新語言;
在這個人人都有一部智能手機的時代,人們按下快門,隨即就秀齣照片。人人都有自己的社交網絡賬戶,可以將自己在這個世界上每一秒鍾的狀態都用相機記錄下來。“我思故我在”變成瞭“我記錄,故我存在”。如今攝影已經是一種極為平民化的行為,“自拍”甚至成瞭2013年牛津詞典的年度熱詞。
瀏覽並創造性地將他人的圖像吸納至自己的作品中,如今這種實踐成為很多藝術攝影師的主要工作。由攝影記者轉型為藝術攝影傢的沃爾夫曾說:“我們的世界充滿圖像,這是未來影像中的一部分。我們必須得想辦法處理,對其去蕪存菁,或者將其吸收到我們的作品中。我認為,未來我們很重要的一項任務就是對所有這些圖片進行精挑細選。你能想象今天我們到底有多少圖像嗎?這個數字是不可估量的。”
“你不是在拍照片,你是在製作照片。”偉大的美國風景攝影師安塞爾·亞當斯這樣說道。這一提法在近二三十年內日益得到肯定,雖然亞當斯本人對此並沒有很明確的設想或實踐。那麼,我們如何構建一個自己的天地並將它記錄下來呢?
在本書中,你將會認識52位21世紀傑齣的藝術攝影傢,並學習到他們的創作觀念與技巧。書中所選的作品均立足於數字時代的前沿,具有很強的視覺衝擊力。相信跟隨著大師的腳步,你將會進入一個精彩絕倫的藝術世界。歡迎來到後攝影時代。
美國視覺傳播學者米契爾(Walliam Mitchell)在1991年提齣“後攝影時代”(Post-Photography)這一個名詞,用以形容攝影自從進入瞭數碼時代後已齣現瞭根本性的改變。在如今這個“一切皆有可能”、“萬事已難創新”的數字時代,藝術傢們的確還在使用照相機,但是僅僅拍照是遠遠不夠的瞭。
那麼,攝影之後是什麼?
這本《攝影之後:拍照的藝術傢》便試圖通過深入探究圖像製造中令人興奮的新語言來迴答這個問題。
本書分為五個部分,分彆是“藉鑒與創新”“現實的層列”“整個世界都是舞颱”“手與眼”“後現代新聞攝影”,所介紹的創作觀念與技法來自21世紀52位具有吸引力、具有創新性的國際藝術攝影師。
羅伯特·肖(Robert Shore),英國著名媒體人,主要從事文化和媒體領域的創作,長期為英國《都市報》《衛報》和《星期日泰晤士報》撰稿。同時,他還是《藝術評論》雜誌的編輯。
序言:攝影之後是…… ···· 07
1
藉鑒與創新···················· 13
什卡·漢納································14
約阿希姆·施密德··························22
伊娃·史妲朗································28
妮可·貝勒···································34
戴 維·托馬斯·史密斯····················38
喬尼·布裏格斯·····························42
諾埃·森達斯································46
茱莉亞·博裏索娃 ·························50
布倫丹·尤哈斯·····························54
安 德列·施密特·····························58
剋萊濛特·瓦拉·····························62
2
現實的層列···················· 67
瓦萊裏·貝琳································68
李在鎔·········································72
喬納森·劉易斯·····························76
蘇菲·西野···································80
奧利沃·巴爾比埃利·······················84
楊泳梁 ········································88
丹·霍茲沃斯································92
3
整個世界都是舞颱··········· 99
勞倫斯·德梅鬆·····························100
原久路·········································106
莎迪·伽迪裏安·····························110
萊昂斯·拉斐爾·阿波德魯··············114
剋裏斯蒂·李·羅傑·······················118
安吉洛·穆斯剋·····························122
奧拉夫·布魯寜·····························126
斯佳麗·霍夫特·格拉芙蘭··············132
魯內·古納佑森·····························136
埃裏剋·約翰遜·····························140
若昂·卡斯蒂略·····························144
約翰·剋文斯基·····························150
迦勒·哈蘭德································154
亞曆杭德羅·吉加洛·······················158
丹尼爾·埃斯肯納茨·······················162
伯恩德納特·斯米爾德····················166
4
手與眼···························171
阿裏奇·布雷恩·····························172
陳農············································178
查爾斯·格洛戈·····························182
達夫娜·塔爾默爾··························186
約爾瑪·普拉能·····························190
硃莉·科伯恩································196
托爾斯滕·瓦爾穆斯·······················200
剋洛伊·塞爾斯·····························204
斯蒂菲·剋倫茨·····························208
布倫丹·弗勒································212
5
後現代新聞攝影···············217
邁剋爾·沃爾夫·····························218
楊怡············································226
瑪蒂娜·巴奇伽魯普·······················230
剋裏斯蒂娜·德·米德爾·················234
理查德·莫斯································238
本雅明·羅伊································244
戴維·伯金···································250
亞當·布魯姆伯格、奧利佛·查納林 ···256
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攝影之後:拍照的藝術傢 [Post-photography:The artist with a camera] mobi epub pdf txt 電子書 格式下載 2024