內容簡介
Set during one of the most tumultuous years in recent American history, One Crazy Summer is the heartbreaking, funny tale of three girls who travel to Oakland, California, in 1968 in search of the mother who abandoned them. It's an unforgettable story told by a distinguished author of books for children and teens, Rita Williams-Garcia.
作者簡介
Winner of the PEN/Norma Klein Award, Rita Williams-Garcia is the author of five other distinguished novels for young adults: Blue Tights, Every Time a Rainbow Dies, Fast Talk on a Slow Track, Like Sisters on the Homefront, and No Laughter Here, the latter four of which were chosen as ALA Best Books for Young Adults. Like Sisters on the Homefront was also named a Coretta Scott King Honor Book and a best book of the year by ALA Booklist, School Library Journal, The Bulletin of the Center for Children's Books, and Publishers Weekly. She has also written an acclaimed novel for middle-grade readers, One Crazy Summer, which the New York Times called "a powerful and affecting story of sisterhood and motherhood." Rita Williams-Garcia is currently a faculty member at the Vermont College of Fine Arts in the Writing for Children and Young Adults Program. She has two daughters, Michelle and Stephanie, and lives in Jamaica, New York.
精彩書評
“Delphine is the pitch-perfect older sister, wise beyond her years, an expert at handling her siblings...while the girls are caught up in the difficulties of adults, their resilience is celebrated and energetically told with writing that snaps off the page” (Kirkus Reviews (starred review) )“Delphine’s growing awareness of injustice on a personal and universal level is smoothly woven into the story in poetic language that will stimulate and move readers.” (Publishers Weekly )“Regimented, responsible, strong-willed Delphine narrates in an unforgettable voice, but each of the sisters emerges as a distinct, memorable character, whose hard-won, tenuous connections with their mother build to an aching, triumphant conclusion.” (Booklist (starred review) )“The setting and time period are as vividly realized as the characters, and readers will want to know more about Delphine and her sisters after they return to Brooklyn...” (Horn Book (starred review) )“Emotionally challenging and beautifully written, this book immerses readers in a time and place and raises difficult questions of cultural and ethnic identity and personal responsibility. With memorable characters (all three girls have engaging, strong voices) and a powerful story, this is a book well worth reading and rereading.” (School Library Journal (starred review) )“In One Crazy Summer Williams-Garcia presents a child’s-eye view of the Black Panther movement within a powerful and affecting story of sisterhood and motherhood. (Monica Edinger, The New York Times )
前言/序言
One Crazy Summer[瘋狂夏日] [平裝] [8歲及以上] 下載 mobi epub pdf txt 電子書 格式
評分
☆☆☆☆☆
圖書蠻不錯的啦,很喜歡哦
評分
☆☆☆☆☆
圖書蠻不錯的啦,很喜歡哦
評分
☆☆☆☆☆
俗話說文無定法,寫書評當然也無一定的格式,可以因人而異,因書而異。比如偏於談感受的書評就可以直接從述感開頭:“何建明的長篇報告文學《中國高考報告》是一部具有強烈震撼力的作品。不讀則罷,越讀越使人感到,高考的分量實在太重太重,它重得使許多中國人的腰背都壓彎,連中華民族的脊梁也被壓得齣現瞭嚴重的畸型。高考啊!何時纔能走齣怪圈?”(《走齣高考的怪圈》)想要帶點文學色彩又要給讀者一點懸念的也可以抒情開頭:“若你走進普魯斯特的世界,我想你不會不驚嘆於那美妙的符號所産生的神奇魅力,不會不沉醉於瑪德萊娜小點心的綿長迴味,不會不震悸於人類內心的隱秘世界的強烈曝光。作為《追憶似水年華》的譯者之一,我也不可能不更真切地感受到普魯斯特開啓的感覺世界對我的靈魂與感官的誘惑、衝擊、洗滌、豐富、與淨化。“(《全新而永恒的感覺世界》)當然書評的結尾也不一定都要推薦式的。可以錶達某種願望,如“願藉葦岸的親切誠實的語言,生動盎然的詩意和寜靜柔韌的美感鋪就的小徑,引領我們走嚮詩意棲居之地。”
評分
☆☆☆☆☆
圖書蠻不錯的啦,很喜歡哦
評分
☆☆☆☆☆
俗話說文無定法,寫書評當然也無一定的格式,可以因人而異,因書而異。比如偏於談感受的書評就可以直接從述感開頭:“何建明的長篇報告文學《中國高考報告》是一部具有強烈震撼力的作品。不讀則罷,越讀越使人感到,高考的分量實在太重太重,它重得使許多中國人的腰背都壓彎,連中華民族的脊梁也被壓得齣現瞭嚴重的畸型。高考啊!何時纔能走齣怪圈?”(《走齣高考的怪圈》)想要帶點文學色彩又要給讀者一點懸念的也可以抒情開頭:“若你走進普魯斯特的世界,我想你不會不驚嘆於那美妙的符號所産生的神奇魅力,不會不沉醉於瑪德萊娜小點心的綿長迴味,不會不震悸於人類內心的隱秘世界的強烈曝光。作為《追憶似水年華》的譯者之一,我也不可能不更真切地感受到普魯斯特開啓的感覺世界對我的靈魂與感官的誘惑、衝擊、洗滌、豐富、與淨化。“(《全新而永恒的感覺世界》)當然書評的結尾也不一定都要推薦式的。可以錶達某種願望,如“願藉葦岸的親切誠實的語言,生動盎然的詩意和寜靜柔韌的美感鋪就的小徑,引領我們走嚮詩意棲居之地。”
評分
☆☆☆☆☆
京東原版繪本質量很好,一直購買。
評分
☆☆☆☆☆
京東原版繪本質量很好,一直購買。
評分
☆☆☆☆☆
圖書蠻不錯的啦,很喜歡哦
評分
☆☆☆☆☆
俗話說文無定法,寫書評當然也無一定的格式,可以因人而異,因書而異。比如偏於談感受的書評就可以直接從述感開頭:“何建明的長篇報告文學《中國高考報告》是一部具有強烈震撼力的作品。不讀則罷,越讀越使人感到,高考的分量實在太重太重,它重得使許多中國人的腰背都壓彎,連中華民族的脊梁也被壓得齣現瞭嚴重的畸型。高考啊!何時纔能走齣怪圈?”(《走齣高考的怪圈》)想要帶點文學色彩又要給讀者一點懸念的也可以抒情開頭:“若你走進普魯斯特的世界,我想你不會不驚嘆於那美妙的符號所産生的神奇魅力,不會不沉醉於瑪德萊娜小點心的綿長迴味,不會不震悸於人類內心的隱秘世界的強烈曝光。作為《追憶似水年華》的譯者之一,我也不可能不更真切地感受到普魯斯特開啓的感覺世界對我的靈魂與感官的誘惑、衝擊、洗滌、豐富、與淨化。“(《全新而永恒的感覺世界》)當然書評的結尾也不一定都要推薦式的。可以錶達某種願望,如“願藉葦岸的親切誠實的語言,生動盎然的詩意和寜靜柔韌的美感鋪就的小徑,引領我們走嚮詩意棲居之地。”