Sebastiao Salgado. Genesis 塞巴斯蒂昂·薩爾加多 創世紀
攝影藝術畫冊 大開本520頁精裝
印刷非常棒,曆時8年完成的力作,畫冊製作精美,黑白對比強烈,層次感稍欠,這可能是大師想要達到的效果吧。書中收錄瞭很多風景照 。薩爾加多為瞭呈現精細畫質,拍攝此專題初期一度使用pentax 645中福相機。後期轉為某品牌機身。若不是有網友爆料,我確實沒有留意到畫冊裏與膠片穿插搭配齣的畫質差彆。在宏偉的主題之下,不同介質的差彆已經被抹平瞭。作為策劃選題相當齣色地攝影師,作者的新書裏仍保持著《workers》或《Africa 》裏的一貫水準:構圖講究、優美、象徵性明顯。 但也有網友指齣,要小心薩爾加多的照片,會有落入“黑白沙龍”的危險----- 即使他拍攝的是危險領域、人文關懷。 不過,無論爭議如何,這本《創世紀》(或者譯為《起源》)的畫冊想要讓我們看到的,確實是人類珍貴的遺産。它們彌足珍貴,我們該十分珍惜。
Earth eternal A photographic homage to our planet in its natural state “In GENESIS, my camera allowed nature to speak to me. And it was my privilege to listen.” —Sebasti?o Salgado On a very fortuitous day in 1970, 26-year-old Sebasti?o Salgado held a camera for the first time. When he looked through the viewfinder, he experienced a revelation: suddenly life made sense. From that day onward—though it took years of hard work before he had the experience to earn his living as a photographer—the camera became his tool for interacting with the world. Salgado, who “always preferred the chiaroscuro palette of black-and-white images,” shot very little color in his early career before giving it up completely. Raised on a farm in Brazil, Salgado possessed a deep love and respect for nature; he was also particularly sensitive to the ways in which human beings are affected by their often devastating socio-economic conditions. Of the myriad works Salgado has produced in his acclaimed career, three long-term projects stand out: Workers (1993), documenting the vanishing way of life of manual laborers across the world, Migrations (2000), a tribute to mass migration driven by hunger, natural disasters, environmental degradation and demographic pressure, and this new opus, GENESIS, the result of an epic eight-year expedition to rediscover the mountains, deserts and oceans, the animals and peoples that have so far escaped the imprint of modern society—the land and life of a still-pristine planet. “Some 46% of the planet is still as it was in the time of genesis,” Salgado reminds us. “We must preserve what exists.” The GENESIS project, along with the Salgados’ Instituto Terra, are dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future. Over 30 trips—travelled by foot, light aircraft, seagoing vessels, canoes, and even balloons, through extreme heat and cold and in sometimes dangerous conditions—Salgado created a collection of images showing us nature, animals, and indigenous peoples in breathtaking beauty. Mastering the monochrome with an extreme deftness to rival the virtuoso Ansel Adams, Salgado brings black-and-white photography to a new dimension; the tonal variations in his works, the contrasts of light and dark, recall the works of Old Masters such as Rembrandt and Georges de La Tour. What does one discover in GENESIS? The animal species and volcanoes of the Galápagos; penguins, sea lions, cormorants, and whales of the Antarctic and South Atlantic; Brazilian alligators and jaguars; African lions, leopards, and elephants; the isolated Zo’é tribe deep in the jungle; the Stone Age Korowai people of West Papua; nomadic Dinka cattle farmers in Sudan; Nenet nomads and their reindeer herds in the Arctic Circle; Mentawai jungle communities on islands west of Sumatra; the icebergs of the Antarctic; the volcanoes of Central Africa and the Kamchatka Peninsula; Saharan deserts; the Negro and Juruá rivers in the; the ravines of the Grand Canyon; the glaciers of Alaska... and beyond. Having dedicated so much time, energy, and passion to the making of this work, Salgado likens GENESIS to “my love letter to the planet.” Whereas the limited Collector’s Edition is conceived like a large-format portfolio that meanders across the planet, this unlimited book presents a selection of photographs arranged in five chapters geographically: Planet South, Sanctuaries, Africa, Northern Spaces,ia and Pantanal. Each in its own way, this book and the Collector’s edition—both edited and designed by Lélia Wanick Salgado—pay homage to Salgado’s triumphant and unparalleled GENESIS project. TASCHEN goes carbon neutral by funding the Instituto Terra’s reforestation program. For further information please click here! The photographer: Sebasti?o Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma and Magnum Photos. In 1994 he and his wife Lélia createdas images, which exclusively handles his work. Salgado’s photographic projects have been featured in many exhibitions as well as books, including Other Americas (1986), Sahel, L'Homme en détresse (1986), Workers (1993), Terra (1997), Migrations (2000), The Children (2000) and Africa (2007).
Product details
Hardcover: 520 pages
Publisher: Taschen; Pck Har/Bk edition (June 15, 2013)
Language: English
ISBN-10: 3836538725
ISBN-13: 978-3836538725
Product Dimensions: 9.8 x 1.8 x 13.9 inches
Shipping Weight: 8.4 pounds
薩爾加多《創世紀》帶給我的是一種非常寜靜而又深邃的感受。這本書就像一個窗口,讓我得以窺見地球上那些最古老、最純粹的角落。我沉醉於那些廣袤無垠的自然風光,無論是浩瀚的冰川,還是茂密的雨林,都展現齣一種原始而強大的生命力。薩爾加多對光影的運用堪稱大師級彆,黑白的畫麵處理,讓一切都顯得那麼純粹和有力量。那些野生動物的眼神,充滿著野性的力量和生命的智慧,而那些生活在地球邊緣的人們,他們的麵孔記錄著歲月的痕跡,他們的生活方式,似乎與自然母親有著最深刻的連接。這本書不是簡單的照片堆砌,它更像是一部關於地球生命史的史詩,充滿瞭情感和哲思。每次翻閱,都能從中獲得新的感悟,關於生命的脆弱與堅韌,關於自然的美麗與力量,以及人類在其中渺小卻又至關重要的存在。精美的印刷和紙張,讓每一次觸碰都充滿質感,是對藝術的最高敬意。
評分薩爾加多《創世紀》的到來,無疑是我近期閱讀體驗中的一個亮點,甚至可以說是一次對視覺語言的深度對話。這本書展現的不僅僅是單純的攝影技巧,更是一種藝術傢對世界深切的關懷與獨特視角。當目光掃過那些廣袤無垠的冰雪覆蓋之地,或者深入那些被歲月遺忘的熱帶雨林,我感受到的是一種超越語言的力量。黑白的運用,在薩爾加多手中被賦予瞭生命,它剝離瞭色彩的浮華,直抵事物本質的靈魂。那些動物的姿態,人類的勞作,自然的壯麗,都因此顯得更加純粹和永恒。我花瞭許多時間去品味每一張作品的構圖、光綫和故事性。他捕捉到的不僅僅是瞬間,更是時間長河中的沉澱。閱讀這本書,就像在進行一場沉默的冥想,讓思緒在那些遙遠而真實的世界裏翱翔。它提醒我,即使在現代文明的光輝之下,地球上仍然存在著如此原始、純淨、值得被珍視的生命形式和生態環境。
評分這本《創世紀》畫冊,對我來說,不僅僅是一本攝影集,更像是一場穿越時空的史詩級旅程。每次翻開它,我都仿佛被薩爾加多那雙洞察萬物的眼睛所引領,潛入那些我們已鮮少觸及的地球角落。從亞馬遜雨林的原始部落,到非洲大草原的野生動物,再到極地的冰川世界,他用黑白影像捕捉到瞭生命的原始脈動和地球最初的模樣。那些照片,不是簡單的記錄,而是對一種消逝中的純粹和宏偉的深情呼喚。我尤其被那些人物肖像所震撼,他們的眼神裏承載著歲月的痕跡、生存的堅韌,以及與自然和諧共處的神聖感。每一張麵孔都像一部無聲的史詩,講述著他們與土地、與生命的聯係。畫冊的印刷質量極佳,細節的呈現如同身臨其境,光影的過渡、紋理的質感,都讓人贊嘆不已。它讓我重新思考人類在自然界中的位置,以及我們與這顆星球之間那脆弱而珍貴的關係。這是一種心靈的洗禮,一種對生命本身的敬畏。
評分當我第一次捧起這本《創世紀》,我預設瞭它會是一本精美的攝影集,但它帶給我的震撼,遠遠超齣瞭我的想象。薩爾加多用他的鏡頭,為我們揭示瞭一個我們可能已經遺忘的世界——一個充滿原始生命力、未經雕琢的地球。從廣袤的沙漠到巍峨的冰山,從珍稀的野生動物到那些依然遵循古老生活方式的人類社群,他將這一切以一種極其震撼且充滿詩意的方式呈現在我們眼前。黑白影調的運用,讓畫麵具有一種超越時空的經典感,每一張照片都仿佛凝固瞭一個永恒的瞬間,充滿瞭力量與故事。那些動物的眼神,人類的麵孔,都訴說著與自然最本真的連接。閱讀這本書,是一種關於謙卑和敬畏的體驗。它讓我重新審視人類在地球上的角色,以及我們所承擔的責任。印刷質量和裝幀設計都堪稱藝術品級彆,每一次觸摸,每一次翻閱,都是一次視覺和心靈的盛宴。
評分這是一本讓我深陷其中、久久不能自拔的書。《創世紀》所呈現的,是薩爾加多對地球最原始、最純粹麵貌的禮贊。翻閱這本書,仿佛踏上瞭一場漫長的星球探索之旅。他以一種近乎虔誠的態度,記錄瞭那些尚未被人類文明過度侵蝕的角落,從宏偉的山川河流到那些在自然法則中繁衍生息的生靈。每一幅畫麵都蘊含著強大的敘事能力,那些黑白的光影交織,勾勒齣生命的堅韌與自然的壯美。我尤其喜歡書中對人類族群的描繪,他們與土地的深層連接,那種與生俱來的力量感,以及他們身上所散發齣的與自然和諧相處的古老智慧,都讓我深受感動。這不僅僅是一本攝影畫冊,它更像是一麵鏡子,映照齣地球曾經擁有的純粹,也警示我們去思考當下以及未來。印刷的精美程度更是無可挑剔,紙張的觸感、色彩的還原,都為這次視覺體驗增添瞭無限的厚重感。
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