In this spellbinding exploration of the varieties of love, the author of the worldwide bestseller Call Me by Your Name revisits its complex and beguiling characters two decades after their first meeting.
No novel in recent memory has spoken more movingly to contemporary readers about the nature of love than André Aciman’s haunting Call Me by Your Name. First published in 2007, it was hailed as “a love letter, an invocation . . . an exceptionally beautiful book” (Stacey D’Erasmo, The New York Times Book Review). Nearly three quarters of a million copies have been sold, and the book became a much-loved, Academy Award–winning film starring Timothée Chalamet as the young Elio and Armie Hammer as Oliver, the graduate student with whom he falls in love.
In Find Me, Aciman shows us Elio’s father, Samuel, on a trip from Florence to Rome to visit Elio, who has become a gifted classical pianist. A chance encounter on the train with a beautiful young woman upends Sami’s plans and changes his life forever.
Elio soon moves to Paris, where he, too, has a consequential affair, while Oliver, now a New England college professor with a family, suddenly finds himself contemplating a return trip across the Atlantic.
Aciman is a master of sensibility, of the intimate details and the emotional nuances that are the substance of passion. Find Me brings us back inside the magic circle of one of our greatest contemporary romances to ask if, in fact, true love ever dies.
##I've read better cmbyn fanfics than this... ¯_(ツ)_/¯
評分##Chapter I is completely a failure; it fulfills no one's desire but Andre Aciman's. For fuck's sake. Such a shitty man! From the beginning to the end I see no Elio nor Oliver, not even Sami; rather, what I see is Aciman everywhere. What he has written had nothing to do with CMBYN.
評分##I've read better cmbyn fanfics than this... ¯_(ツ)_/¯
評分##Michael可以Colin firth來演嗎,但真的全篇充斥著湊字數的橋段
評分##Chapter I is completely a failure; it fulfills no one's desire but Andre Aciman's. For fuck's sake. Such a shitty man! From the beginning to the end I see no Elio nor Oliver, not even Sami; rather, what I see is Aciman everywhere. What he has written had nothing to do with CMBYN.
評分##not the kind of love stories I would ever read if it wasn’t a CMBYN sequel. Love the Aciman’s style of dialogues and psychological languages though — emotional, delicate and philosophical. It captures an intangible sense of dire heratche echo throughout this novel, just like CMBYN did.
評分##四個故事,從父親到Elio,再到Oliver,承襲瞭前作的細膩入微的刻畫。巧閤的是,作者都選取瞭男性視角,反映麵對愛情的時候,不同年齡、身份、性取嚮的男性的所思所想。我一直覺得這個故事與性嚮無關,隻關乎愛情,作者揭示瞭人們麵對愛情的反應。隻不過,有時對麵是女人,有時是男人;有時是同齡人,有時大一倍,有時小一圈。如何去找尋愛,遵從自己的內心,勇敢與對方攜手同行,纔是更有意義的吧。
評分##不能說這本讓人大跌眼鏡,Aciman的作品本來就挺參差不齊。他極擅長描寫心理活動,喜愛寫長句,但易讀。用得好就像CMBYN或Out of Egypt,浪漫旖旎。一旦過度使用或故事結構鬆散,很容易顯得矯情。全篇最打動我的,是Elio帶父親去十年前和Oliver親吻的角落,說It marks a moment that for a short while I held my life in my hands, and was never the same afterwards. Sometimes I think that my life started here and will only restart here. 我想不是每一個Elio都能最終和Oliver在一起,但能遇見已是奇跡。
評分##3.8。不如第一部那麼悠揚瞭,有點可惜。雖然對話很精緻,但是覺得代入感太低瞭。前半部分關於父親的故事其實遠比後半部分Elio的描述精彩。無論如何都沒辦法理解Elio喜歡後來的那個人的什麼,火花基本上是一丁點都沒有。這一本對於CMBYN愛好者來說不是太有必要去讀,畢竟這個故事就不應該是個什麼係列,隻是某種感覺的永恒載體。故事的走嚮並不重要
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