The Dispossessed 一無所有 [平裝] 下載 mobi epub pdf 電子書 2025

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Ursula K. Le Guin（厄休拉·K·勒·奎恩）著

圖書標籤:

科幻
烏托邦
反烏托邦
社會學
政治小說
安娜其斯·勒古恩
新浪潮科幻
自由意誌
異化
理想社會

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齣版社： HarperCollins US

ISBN：9780061054884

商品編碼：19010376

包裝：平裝

叢書名： Hainish Cycle

齣版時間：2008-04-01

頁數：400

正文語種：英文

商品尺寸：17.78x10.92x2.79cm;0.11kg

具體描述

內容簡介

Shevek, a brilliant physicist, decides to take action. he will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life. Shevek must make the unprecedented journey to the utopian mother planet, Anarres, to challenge the complex structures of life and living, and ignite the fires of change.

作者簡介

Ursula K. Le Guin is the author of more than one hundred short stories, two collections of essays, four volumes of poetry, and nineteen novels. Her best-known fantasy works, the Earthsea books, have sold millions of copies in America and England, and have been translated into sixteen languages. Her first major work of science fiction, The Left Hand of Darkness, is considered epochmaking in the field because of its radical investigation of gender roles and its moral and literary complexity.

Three of Le Guin's books have been finalists for the American Book Award and the Pulitzer Prize, and among the many honors her writing has received are the National Book Award, five Hugo Awards, five Nebula Awards, the Kafka Prize, a Pushcart Prize, and the Harold D. Vursell Award of the American Academy and Institute of Arts and Letters. She lives in Portland, Oregon.

精彩書摘

Chapter One

There was a wall. It did not look important. It was built of uncut rocks roughly mortared. An adult could look right over it, and even a child could climb, it. Where it crossed the roadway, instead of having a gate it degenerated into mere geometry, a line, an, idea of boundary. But the idea was real. It was important. For seven generations there had been nothing in the world more important than that wall.

Like all walls it was ambiguous, two-faced. What was inside it and what was outside it depended upon which side of it you were on.

Looked at from one side, the wall enclosed a barren sixty-acre field called the Port of Anarres. On the field there were a couple of large gantry cranes, a rocket pad, three warehouses, a truck garage, and a dormitory. The dormitory looked durable, grimy, and mournful; it had no gardens, no children; plainly nobody lived there or was even meant to stay there long. It was in fact a quarantine. The wall shut in not only the landing field but also the ships that came down out of space, and the men that came on the ships, and the worlds they came from, and the rest of the universe. It enclosed the universe, leaving Anarres outside, free.

Looked at from the other side, the wall enclosed Anarres: the whole planet was inside it, a great prison camp, cut off from other worlds and other men, in quarantine.

A number of people were coming along the road towards the landing field, or standing around where the road cut through the wall.

People often came out from the nearby city of Abbenay in hopes of seeing a spaceship, or simply to see the wall, After all, it was the only boundary wall on their world. Nowhere else could they see a sign that said No Trespassing. Adolescents, particularly, were drawn to it. They came up to the wall; they sat an it. There might be a gang to watch, offloading crates from track trucks at the warehouses. There might even be a freighter on the pad. Freighters came down only eight times a year, unannounced except to syndics actually working at the Port, so when the spectators were lucky enough to see one they were excited, at first. But there they sat, and there it sat, a squat black tower in a mess of movable cranes, away off across the field. And then a woman came over from one of the warehouse crews and said, "We're shutting down for today, brothers." She was wearing the Defense armband, a sight almost as rare as a spaceship. That was a bit of a thrill. But though her tone was mild, it was final. She was the foreman of this gang, and if provoked would be backed up by her syndics. And anyhow there wasn't anything to see. The aliens, the off-worlders, stayed hiding in their ship. No show.

It was a dull show for the Defense crew, too. Sometimes the foreman wished that somebody would just try to cross the wall, an alien, crewman jumping ship, or a kid from Abbenay trying to sneak in for a. closer look at the freighter. But it never happened. Nothing ever happened. When something did happen she wasn't ready for it.

The captain of the freighter Mindful said to her, "Isthat mob after my ship?"

The foreman looked and saw that, in fact there was a real crowd around the gate, a hundred or more people. They were standing around, just standing, the way people had stood at produce-train stations during the Famine. It gave the foreman a scare.

"No. They, ah, protest," she said in her slow and limited Iotic. "Protest the ah: you know. Passenger?"

"You mean they're after this bastard we're supposed to take? Are they going to try to stop him, or us?"

The word "bastard," untranslatable in the foreman's language, meant nothing to her except some kind of foreign term for her people, but she had never liked the sound of it, or the captain's tone, or the captain. "Can you look after you?" she asked briefly.

"Hell, yes. You just get the rest of this cargo unIoaded, quick. And get this passenger bastard on board. No mob of Oddies is about to give us any trouble." He patted the thing he wore on his belt, a metal object like a deformed penis, and looked patronizingly at the unarmed woman.

She gave the phallic object, which she knew was a weapon, a cold glance. "Ship will be loaded by fourteen hours," she said. "Keep crew on board safe. Lift off at fourteen hours forty. If you need help, leave message on tape at Ground Control." She strode off, before the captain could one-up her. Anger made her more forceful with her crew and the crowd. "Clear the road there!" she ordered as she neared the wall. "Trucks are coming through, somebody's going to get hurt. Clear aside!"

The men and women in the crowd argued with her and with one another. They kept crossing the road, and some came inside the wall. Yet they did more or less clear the way. If the foreman had no experience in bossing a mob, they had no experience in being one. Members of a community, not elements of a collectivity, they were not moved by mass feeling, there were as many emotions there as there were people. And they did not expect commands to be arbitrary, so they had no practice in disobeying them. Their inexperience saved the passenger's life.

Some of them had come there to kill a traitor. Others had come to prevent him from leaving, or to yell insults at him, or just to look at him; and all these others obstructed the sheer brief path of the assassins.

前言/序言

《遺失的星圖》：一場關於記憶、失落與救贖的史詩作者：伊莉莎·凡恩譯者：林語桐齣版社：蒼穹文庫裝幀：精裝 --- 導言：當世界隻剩下迴聲在奧瑞安星域的邊緣，存在著一個被遺忘的文明——希爾文。他們曾經是宇宙中最輝煌的星際航行者，掌握著能夠撕裂時空的“星圖”技術。然而，一場被稱為“大靜默”的災難，將他們的文明連根拔起，知識化為灰燼，記憶被徹底抹除。《遺失的星圖》講述瞭在“大靜默”發生韆年後，年輕的考古學傢卡西婭·雷恩，在探索一顆被稱為“寂靜之核”的荒涼行星時，偶然發現的一段殘缺不全的數字殘片。這段殘片並非任何已知的文明記錄，它似乎是關於希爾文文明滅亡前最後時刻的影像碎片——一段關於恐懼、背叛，以及一張無法繪製的星圖的低語。卡西婭，一個背負著傢族因涉嫌參與“大靜默”而濛羞的汙名、急切渴望證明清白的學者，深知一旦觸碰這些禁忌的知識，她將麵臨帝國衛隊的無情追捕，以及來自“深空守望者”——一個誓言保護真相永不重現的神秘組織的緻命威脅。第一部：塵封的低語故事始於卡西婭在“寂靜之核”冰封的地底深處發現的“迴音石”。這塊石頭並非礦物，而是一種生物金屬結構，能夠存儲高度復雜的空間信息。當她激活它時，她接收到的不是視覺圖像，而是純粹的“存在感”——一種關於巨大星艦被撕裂、恒星被吞噬的混亂能量波。在帝國首都新維羅納，卡西婭的發現立即引起瞭高等議會的警覺。議會代錶，冷酷且極富手腕的首席執政官塞勒斯·凡德爾，公開斥責卡西婭的行為是在煽動對“已故文明的迷信”，並下令沒收所有相關資料。但卡西婭已經秘密備份瞭信息，她帶著她的助手兼老友，沉默寡言的機械師傑瑞德，搭乘一艘破舊的偵察艦“流浪者號”，踏上瞭逃亡之路。傑瑞德是卡西婭唯一的依靠。他精通舊時代的能源係統和機械僞裝，他的忠誠源於童年時被希爾文遺跡中的能量脈衝所救的經曆。他相信，這片星空遠比帝國所宣揚的要古老和復雜。第二部：星圖的殘骸卡西婭通過解譯“迴音石”中的頻率，鎖定瞭下一條綫索：位於“混沌帶”深處的一座被遺忘的軌道空間站——“亞特拉斯樞紐”。傳說中，亞特拉斯樞紐保存著希爾文文明最後一位首席製圖師的個人日誌。混沌帶是一個由高密度引力異常和隨機時空扭麯構成的區域，常規的導航係統在這裏完全失效。卡西婭和傑瑞德必須依靠“迴音石”提供的瞬時空間映射，進行近乎自殺式的“跳躍”。在亞特拉斯樞紐，他們遭遇瞭真正的敵人——“深空守望者”。這些身披黑色裝甲、使用相位武器的追獵者，行動詭秘，目的明確：徹底清除任何關於星圖的痕跡。卡西婭在與守望者的首次交鋒中，差點喪命，幸而一位神秘的流亡者——一個自稱“零”的、擁有部分希爾文血統的基因改造人——齣手相助。 “零”告訴卡西婭，星圖不是一張地圖，而是一種“意識連接協議”。希爾文人並非死於外敵入侵，而是死於他們試圖繪製的終極星圖——一張通往“宇宙的邊界”的路徑。繪製過程中，他們接觸到瞭某種“不可名狀的存在”，導緻瞭文明的集體精神崩潰。第三部：邊界的誘惑在“零”的引導下，卡西婭獲得瞭希爾文首席製圖師的日誌核心——一個液態金屬構成的立方體。日誌揭示瞭一個令人心悸的事實：大靜默是希爾文文明的自我放逐。他們意識到自己所處的現實維度並非唯一，而“星圖”會引誘其他維度中的實體降臨，威脅到整個宇宙的存續。因此，他們選擇瞭自我抹除記憶，並用“迴音石”作為最後的警示裝置。然而，首席執政官塞勒斯·凡德爾的目標並非阻止卡西婭，而是重啓星圖的繪製。凡德爾深信，希爾文人並非失敗，而是因為“膽怯”。他相信，隻有通過完全繪製星圖，人類纔能獲得超越時間和物質的真正力量，成為宇宙的主宰。凡德爾利用帝國最先進的“時空錨點技術”，鎖定瞭最後一個已知的星圖核心節點——一個位於雙子星係邊緣的奇異黑洞。他集結瞭帝國所有的資源，準備強行打開通往“邊界”的通道。第四部：選擇與代價卡西婭、傑瑞德和“零”必須趕在凡德爾之前到達黑洞。他們意識到，阻止凡德爾的唯一方法，不是摧毀星圖，而是完成它，並以希爾文人設定的方式，將自己轉化為新的“守護者”。在黑洞的事件視界邊緣，“流浪者號”與凡德爾的旗艦“正義之鐮”展開瞭最後的對決。“零”犧牲瞭自己，利用他改造過的基因結構，暫時穩定瞭黑洞周圍的時空結構，為卡西婭爭取瞭時間。卡西婭將“迴音石”與首席製圖師的日誌核心融閤，她不再試圖“繪製”星圖，而是將其轉化為一個強大的“反饋迴路”。當凡德爾啓動錨點，試圖強行撕裂維度時，卡西婭激活瞭迴路。巨大的能量湧入她的意識。她看到瞭邊界的景象——不是天堂，而是無盡的虛空和被遺忘的、飢餓的維度實體。她理解瞭希爾文人的恐懼，同時也獲得瞭繪製“界限”的能力。最終，卡西婭沒有阻止凡德爾進入邊界，而是將他連同“正義之鐮”一起，永久地封鎖在瞭那片虛空之外。尾聲：新的航嚮戰鬥結束後，星圖的技術被徹底封存。卡西婭沒有迴到帝國，因為她已不再屬於任何已知的維度結構。她和傑瑞德駕駛著殘破的“流浪者號”，帶著關於宇宙更深層現實的記憶，駛嚮瞭未知的遠方。卡西婭成為瞭行走在星際間的“幽靈製圖師”，她的任務不再是尋找地圖，而是確保那張足以毀滅萬物的地圖永遠不會被任何人找到或啓用。她的知識是沉重的負擔，也是對未來唯一的承諾。而傑瑞德，則開始著手建造新的、能夠抵禦維度乾擾的船隻——他們的航行纔剛剛開始，目的地是比任何已知星係都更加寂靜的遠方。《遺失的星圖》是一部關於知識的重負、曆史的修正主義，以及麵對不可知恐懼時，個體選擇的史詩。它探討瞭文明的最終責任：有時，最偉大的成就並非是創造，而是選擇性地遺忘。

用戶評價

評分☆☆☆☆☆

我最近讀完瞭一本，說實話，它給我的衝擊力是那種綿延不絕、如同潮水般反復衝刷的。我並非一個輕易被煽動情緒的讀者，但這本書對“傢園”概念的解構，實在太過於冷酷和徹底瞭。想象一下，你被告知你所珍視的一切——你的曆史、你的物理空間、你與他人的情感連接——都是一個可被剝奪、隨時可以被重新定義的幻象。書中的主要人物在兩種截然不同的文明間穿梭，那感覺就像是兩個不同維度的頻率硬要疊加在一起，産生的巨大摩擦和噪音。我常常在閱讀時停下來，盯著空白處發呆，試圖理解那種被徹底“異化”的感覺。作者並沒有提供任何廉價的安慰劑，沒有英雄式的反抗，更多的是一種近乎宿命論的接受與掙紮。這種“一無所有”的狀態，不單指物質上的匱乏，更是精神坐標的完全喪失。它強迫你直麵一個極其 uncomfortable 的問題：如果支撐你存在的那些外在標簽都被移除，你還剩下什麼？這本書的敘事聲調非常穩定，幾乎沒有情緒的起伏，但正是這種冷靜，使得字裏行間透露齣的絕望更加具有穿透力。我感覺自己仿佛進行瞭一次漫長而艱苦的星際旅行，到達目的地時，發現那裏除瞭更深的虛無，什麼都沒有。

評分☆☆☆☆☆

這本書的厲害之處，在於它如何不動聲色地將政治理論嵌入到日常生活的微觀層麵。我關注的焦點集中在語言和交流的失效上。在那個被設定為烏托邦（或反烏托邦，取決於你站在哪個角度看）的社會裏，人們的溝通似乎達到瞭極高的效率和透明度，然而，這種效率的背後，卻隱藏著巨大的情感鴻溝。我的感受是，當一切都被量化、都被納入共享的框架後，個體之間最微妙、最私密的情感交流反而被擠壓到瞭幾乎不存在的空間。這種“透明性”帶來的不是理解，而是審視和評判。我對比瞭書中描繪的兩種生活方式，發現無論哪一種，個體都必須付齣高昂的代價來維持其社會身份。一方是極端的物質匱乏與精神自由的模糊地帶；另一方是物質豐裕與精神桎梏的牢籠。作者巧妙地運用瞭對比，讓我們意識到，完美的係統往往是建立在對人性的某種程度上的係統性壓抑之上的。閱讀過程中，我不斷地在筆記本上寫下關鍵詞：“邊界”、“歸屬感”、“可替換性”。這本書不是一本提供答案的書，而是一本充滿尖銳問題的精密儀器，它探測著現代社會中我們對“擁有”和“成為”的焦慮。

評分☆☆☆☆☆

這是一部需要戴著放大鏡去閱讀的作品。我特彆留意瞭作者是如何處理時間流逝的感覺的。在某些章節裏，時間似乎是靜止的，被漫長、重復的勞作和例行公事所凝固；而在另一些章節，尤其是在主角試圖迴憶或構建“過去”的時候，時間又變得破碎和不可靠。這種時間觀的斷裂，深刻地反映瞭角色們所處的環境——一個試圖抹去曆史、重塑集體記憶的場域。我個人對那種夾雜在理性分析中的，近乎本能的懷舊情緒特彆敏感。書中那些對舊物、對過去生活痕跡的零星描繪，猶如黑暗中的微弱火光，雖然轉瞬即逝，卻足以照亮人物內心的巨大空洞。我感覺作者在玩弄讀者的預期，他讓你相信某種迴歸是可能的，緊接著又用冰冷的現實將其徹底擊碎。這種敘事上的“拉鋸戰”讓我的閱讀體驗充滿瞭緊張感。我欣賞這種剋製，它沒有用煽情的筆法來獲取同情，而是通過精確的場景構建和人物的內在獨白，讓讀者自己去體會那種“無根感”的重量。這本書更像是一部哲學思辨錄，而非傳統意義上的情節驅動小說。

評分☆☆☆☆☆

從文學技法上來說，我必須承認這本書的敘事聲調非常獨特，它有一種疏離感，但這種疏離並非冷漠，而是一種高度提純後的觀察視角。它讓你感覺自己像一個漂浮在半空中的衛星，冷眼旁觀著兩個世界的運作機製，卻無法真正踏入其中任何一個。我特彆沉浸於作者對“名字”和“身份標記”的處理。在某些文化背景下，名字是承載血脈、曆史和命運的容器；而在這部作品中，身份的標記似乎可以被輕易地剝離、修改，甚至可以成為一種負擔或武器。這種對命名權和自我定義的探討，引發瞭我對當代信息社會中個人身份建構的聯想。我們如何保證自己的獨特性不被大規模的分類和標簽所吞噬？作者構建的那個社會，似乎已經將這種吞噬推嚮瞭極緻。我發現自己會不自覺地代入角色，思考如果我的名字、我的過往、我的住所都被宣布為“不屬於我”時，我還能抓住什麼來證明“我”的存在。這種深刻的自我拷問，是這本書給我留下的最持久的印記。它成功地將一個遙遠的科幻設定，轉化成瞭一麵映照我們自身存在睏境的棱鏡。

評分☆☆☆☆☆

這本小說的敘事結構如同一個精巧的迷宮，初讀之下可能會感到有些晦澀難懂，仿佛作者特意設置瞭層層疊疊的障礙，將核心的衝突和人物的動機隱藏在日常瑣事的錶象之下。我花瞭相當長的時間去適應那種緩慢推進的節奏，那種不斷在不同社會形態之間進行對比和拉扯的張力。作者對於社會建構和意識形態的探討，絕非蜻蜓點水，而是深入到骨髓的挖掘。每一個看似無關緊要的對話，都蘊含著對自由、所有權以及集體主義本質的深刻拷問。那種壓抑感，不是那種廉價的、由外部暴力製造的恐怖，而是一種係統性的、滲透到語言和思維層麵的束縛。讀者必須主動去構建碎片化的信息，纔能拼湊齣那個世界運行的基本邏輯。這種閱讀體驗，與其說是享受，不如說是一種智力上的挑戰，一種不斷與文本進行博弈的過程。我尤其欣賞作者在描繪異星環境時的筆觸，那種冷峻、荒涼的美感，與人物內心的掙紮形成瞭奇妙的共鳴。它讓你思考，當生存的必要性被極端化後，人性中那些美好的、易碎的部分，究竟還能剩下多少立足之地。這本書，無疑是一部需要反復咀嚼的文學作品，初次接觸可能隻會留下模糊的印象，但隨著時間的推移，那些哲思的火花會逐漸在腦海中閃耀。

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常用申通EMS順豐圓通中通如風達韻達天天匯通全峰德邦宅急送 A 安信達 B 包裹平郵邦送物流 C CCES(國通快遞) 傳喜物流 D DHL快遞大田物流德邦物流 E EMS快遞E郵寶EMS國際 F 飛康達FedEx(國際)凡客如風達 G 能達速遞掛號信共速達國通快遞 H 匯通快遞華宇物流 J 佳吉快運佳怡物流急先達 K 快捷速遞 L 龍邦速遞聯邦快遞聯昊通 Q 全一快遞全峰快遞全日通 S 申通快遞順豐快遞速爾快遞常用申通EMS順豐圓通中通如風達韻達天天匯通全峰德邦宅急送 A 安信達 B 包裹平郵邦送物流 C CCES(國通快遞) 傳喜物流 D DHL快遞大田物流德邦物流 E EMS快遞E郵寶EMS國際 F 飛康達FedEx(國際)凡客如風達 G 能達速遞掛號信共速達國通快遞 H 匯通快遞華宇物流 J 佳吉快運佳怡物流急先達 K 快捷速遞 L 龍邦速遞聯邦快遞聯昊通 Q 全一快遞全峰快遞全日通 S 申通快遞順豐快遞速爾快遞常用申通EMS順豐圓通中通如風達韻達天天匯通全峰德邦宅急送 A 安信達 B 包裹平郵邦送物流 C CCES(國通快遞) 傳喜物流 D DHL快遞大田物流德邦物流 E EMS快遞E郵寶EMS國際 F 飛康達FedEx(國際)凡客如風達 G 能達速遞掛號信共速達國通快遞 H 匯通快遞華宇物流 J 佳吉快運佳怡物流急先達 K 快捷速遞 L 龍邦速遞聯邦快遞聯昊通 Q 全一快遞全峰快遞全日通 S 申通快遞順豐快遞速爾快遞常用申通EMS順豐圓通中通如風達韻達天天匯通全峰德邦宅急送 A 安信達 B 包裹平郵邦送物流 C CCES(國通快遞) 傳喜物流 D DHL快遞大田物流德邦物流 E EMS快遞E郵寶EMS國際 F 飛康達FedEx(國際)凡客如風達 G 能達速遞掛號信共速達國通快遞 H 匯通快遞華宇物流 J 佳吉快運佳怡物流急先達 K 快捷速遞 L 龍邦速遞聯邦快遞聯昊通 Q 全一快遞全峰快遞全日通 S 申通快遞順豐快遞速爾快遞常用申通EMS順豐圓通中通如風達韻達天天匯通全峰德邦宅急送 A 安信達 B 包裹平郵邦送物流 C CCES(國通快遞) 傳喜物流 D DHL快遞大田物流德邦物流 E EMS快遞E郵寶EMS國際 F 飛康達FedEx(國際)凡客如風達 G 能達速遞掛號信共速達國通快遞 H 匯通快遞華宇物流 J 佳吉快運佳怡物流急先達 K 快捷速遞 L 龍邦速遞聯邦快遞聯昊通 Q 全一快遞全峰快遞全日通 S 申通快遞順豐快遞速爾快遞常用申通EMS順豐圓通中通如風達韻達天天匯通全峰德邦宅急送 A 安信達 B 包裹平郵邦送物流 C CCES(國通快遞) 傳喜物流 D DHL快遞大田物流德邦物流 E EMS快遞E郵寶EMS國際 F 飛康達FedEx(國際)凡客如風達 G 能達速遞掛號信共速達國通快遞 H 匯通快遞華宇物流 J 佳吉快運佳怡物流急先達 K 快捷速遞 L 龍邦速遞聯邦快遞聯昊通 Q 全一快遞全峰快遞全日通 S 申通快遞順豐快遞速爾快遞

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The Dispossessed 一無所有 [平裝] 下載 mobi epub pdf 電子書 2025

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