具體描述
A deeply personal, intimate conversation about music and writing between the internationally acclaimed, best-selling author and his close friend, the former conductor of the Boston Symphony Orchestra.
Haruki Murakami’s passion for music runs deep. Before turning his hand to writing, he ran a jazz club in Tokyo, and from The Beatles’ “Norwegian Wood” to Franz Liszt’s “Years of Pilgrimage,” the aesthetic and emotional power of music permeates every one of his much-loved books. Now, in Absolutely on Music, Murakami fulfills a personal dream, sitting down with his friend, acclaimed conductor Seiji Ozawa, to talk, over a period of two years, about their shared interest. Transcribed from lengthy conversations about the nature of music and writing, here they discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from record collecting to pop-up orchestras, and much more. Ultimately this book gives readers an unprecedented glimpse into the minds of the two maestros.
It is essential reading for book and music lovers everywhere.
用戶評價
##What we are doing is entirely different, but I imagine we may well be the same when it comes to the depth of our concentration.
評分##當年寫過書評在書上，送給瞭一個朋友。
評分##書不長，我讀得很慢。反復聽書中提到的樂章，一邊對照小澤的評論，很特彆。靜下心來聽不同版本的勃一、貝三、馬勒，弦樂四重奏，仿佛開啓瞭不同的時空。對話中對指揮風格及音樂理解都講得很玄，門外漢的我並不能完全理解。每當提及指揮種種辛勤，我都想起少年時弦樂團的指揮羅仲興老師。那時他已是老人，卻為我們這幫熊孩子投注瞭極大的熱情，從無到有拉扯起一個少兒樂團。想起碧波中學教室，羅湖少年宮排練廳，記憶濛瞭塵但仍在。那隻樂隊是我學琴生涯最珍貴的體驗。依然記得他耐心教我們如何去聽其他聲部，如何正確地弱奏... 帶我們一幫資質平平的孩子學習莫紮特、海頓等等美妙的樂章。這些都沉澱為我一生的財富。那時不懂，長大後纔感慨他對音樂和教育的熱忱。年少時一切總是太匆忙，馬不停蹄地長大，多後悔沒能妥當的感謝與道彆。緬懷您，羅老師
評分##大師也曾窮睏潦倒...
評分##What we are doing is entirely different, but I imagine we may well be the same when it comes to the depth of our concentration.
評分##除瞭講古爾德的第一部分有一些八卦上的收獲外，其他讀起來也沒啥特興奮的。。大概因為我聽他的錄音太少瞭。。
評分##除瞭講古爾德的第一部分有一些八卦上的收獲外，其他讀起來也沒啥特興奮的。。大概因為我聽他的錄音太少瞭。。
評分##a lot of rambling and flattering...
評分##當年寫過書評在書上，送給瞭一個朋友。
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