具体描述
The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong's complete oeuvre in the locations of some of his most famous scenes.
The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shotIn the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong's eleven films—fromAs Tears Go By and Days of Being Wild to 2046 and The Grandmaster—the conversations also explore Wong's trademark themes of time, nostalgia, and beauty, and their roots in his personal life.
The first book by Wong Kar Wai, and the first comprehensive look at his oeuvre, this stunning, lavishly illustrated volume is as evocative as walking into one of Wong's lush films. With more than 250 photographs and film stills and an opening critical essay by Powers, this volume is poised to become the film book of the year.
用户评价
##出个中文版 我照样买
评分##终于读完了~当年饭桌上LOOK推荐，九苍说买来看看，我腆着脸说给我带本，然后17年SIFF他给我背回来了，在家里躺了两年半，总算读完~非常硬核的创作谈，WKW聊创作一点没有拍电影的百转千回...墨镜王是文艺青年的产品经理，文艺青年并不清楚他们的需求在哪里，墨镜王却天生能捕捉到那种“虚渺”的诉求。台词、人物、电影化场景都是表象，情节更是可以在剪辑台上靠着旁白来倒着编；从《阿飞正传》起就是拿电影当“诗与远方”去拍，将传承、被拒绝/被接受、遗忘这些虚缈的主题（也是所谓“文艺”的主题）以虚缈的方式展开、揭示；就算是政治的内核，也可以被锁在一个同性的故事中...有的人拍摄情节故事，有的人打磨人物性格，有的人却着意营造让人怀念、稍纵即逝的氛围...
评分##英语苦手，假装读完。其实去掉图片本书的内容算不上很多。但是这些图片实在是太有必要了。我第一次感受到了张曼玉的美。王家卫确实是钟爱明星光芒的人。装帧太精美了，爱不释手。
评分##姜文和巩俐演中文版《欲望号街车》，王家卫也是够能想。
评分##拖最久的一本书，因为实在太沉了。。终于看完了，墨镜真是可爱的小天才。
评分##film is a behavior, not plot and line
评分##终于读完了~当年饭桌上LOOK推荐，九苍说买来看看，我腆着脸说给我带本，然后17年SIFF他给我背回来了，在家里躺了两年半，总算读完~非常硬核的创作谈，WKW聊创作一点没有拍电影的百转千回...墨镜王是文艺青年的产品经理，文艺青年并不清楚他们的需求在哪里，墨镜王却天生能捕捉到那种“虚渺”的诉求。台词、人物、电影化场景都是表象，情节更是可以在剪辑台上靠着旁白来倒着编；从《阿飞正传》起就是拿电影当“诗与远方”去拍，将传承、被拒绝/被接受、遗忘这些虚缈的主题（也是所谓“文艺”的主题）以虚缈的方式展开、揭示；就算是政治的内核，也可以被锁在一个同性的故事中...有的人拍摄情节故事，有的人打磨人物性格，有的人却着意营造让人怀念、稍纵即逝的氛围...
评分##印象深刻的是杜可风曾经控诉过阿飞正传上映版色调被调得面目全非并是自己心目中的理想效果/在CC王家卫套装出来后阿飞正传呈现的浓烈洋绿色调和书上阿飞剧照大版印刷出的浓烈色调对应上了/
评分##film is a behavior, not plot and line
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