## Part One: The Art of Dialogue
* Chapter One: The Full Definition of Dialogue
* Chapter Two: The Three Functions of Dialogue
* Chapter Three: Expressivity I: Content
* Chapter Four: Expressivity II: Form
* Chapter Five: Expressivity III: Technique
## Part Two: Flaws and Fixes
* Introduction: Six Dialogue Tasks
* Chapter Six: Credibility Flaws
* Chapter Seven: Language Flaws
* Chapter Eight: Content Flaws
* Chapter Nine: Design Flaws
## Part Three: Creating Dialogue
* Chapter Ten: Character-Specific Dialogue
* Chapter Eleven: Four Case Studies
## Part Four: Dialogue Design
* Chapter Twelve: Story/Scene/Dialogue
* Chapter Thirteen: Balanced Conflict (THE SPOPRANOS)
* Chapter Fourteen: Comic Conflict (FRASIER)
* Chapter Fifteen: Asymmetric Conflict (A Raisin in the Sun)
* Chapter Sixteen: Indirect Conflict (The Great Gatsby)
* Chapter Seventeen: Reflexive Conflict (Fraulein Else and The Museum of Innocence)
* Chapter Eighteen: Minimal Conflict (LOST IN TRANSLATION)
* Chapter Nineteen: Mastering the Craft
· · · · · · (收起)
* Chapter One: The Full Definition of Dialogue
* Chapter Two: The Three Functions of Dialogue
* Chapter Three: Expressivity I: Content
* Chapter Four: Expressivity II: Form
* Chapter Five: Expressivity III: Technique
## Part Two: Flaws and Fixes
* Introduction: Six Dialogue Tasks
* Chapter Six: Credibility Flaws
* Chapter Seven: Language Flaws
* Chapter Eight: Content Flaws
* Chapter Nine: Design Flaws
## Part Three: Creating Dialogue
* Chapter Ten: Character-Specific Dialogue
* Chapter Eleven: Four Case Studies
## Part Four: Dialogue Design
* Chapter Twelve: Story/Scene/Dialogue
* Chapter Thirteen: Balanced Conflict (THE SPOPRANOS)
* Chapter Fourteen: Comic Conflict (FRASIER)
* Chapter Fifteen: Asymmetric Conflict (A Raisin in the Sun)
* Chapter Sixteen: Indirect Conflict (The Great Gatsby)
* Chapter Seventeen: Reflexive Conflict (Fraulein Else and The Museum of Innocence)
* Chapter Eighteen: Minimal Conflict (LOST IN TRANSLATION)
* Chapter Nineteen: Mastering the Craft
· · · · · · (收起)
具體描述
用戶評價
評分
##提供一個看對話的方式和思路，師傅領進門。
評分##中文版翻譯稍微有些問題，不過麥基老爺子的書不是那麼好翻譯就是瞭
評分##中文版翻譯稍微有些問題，不過麥基老爺子的書不是那麼好翻譯就是瞭
評分##非常好！受益匪淺！ 待筆記
評分##提供一個看對話的方式和思路，師傅領進門。
評分##也不錯。這本和your screenplay sucks!一樣，說要多讀。羅伯特麥基有內功，不是速成的書。
評分##也不錯。這本和your screenplay sucks!一樣，說要多讀。羅伯特麥基有內功，不是速成的書。
評分##提供一個看對話的方式和思路，師傅領進門。
評分##非常開眼界! 生動飽滿的人物根植於於豐富的角色心理設計和翔實可信的背景 喜歡用同一段文本示範小說/影視/舞颱劇不同句式語體的部分 除瞭雕琢颱詞用字之外 要充分調度潛颱詞來輔助戲劇衝突 同意若是沒有好的故事支撐 再好的文字也是空中樓閣! 核心詞靠近段落末尾會使得對白接續更加流暢 這個真的學到瞭 看劇的時候不自覺驗證 發現寫得好的本子的確暗閤這樣的原則 最後想采訪一下菲姐 你曉得你的劇寫得這麼有層次麼哈哈哈哈!
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