## Part One: The Art of Dialogue
* Chapter One: The Full Definition of Dialogue
* Chapter Two: The Three Functions of Dialogue
* Chapter Three: Expressivity I: Content
* Chapter Four: Expressivity II: Form
* Chapter Five: Expressivity III: Technique
## Part Two: Flaws and Fixes
* Introduction: Six Dialogue Tasks
* Chapter Six: Credibility Flaws
* Chapter Seven: Language Flaws
* Chapter Eight: Content Flaws
* Chapter Nine: Design Flaws
## Part Three: Creating Dialogue
* Chapter Ten: Character-Specific Dialogue
* Chapter Eleven: Four Case Studies
## Part Four: Dialogue Design
* Chapter Twelve: Story/Scene/Dialogue
* Chapter Thirteen: Balanced Conflict (THE SPOPRANOS)
* Chapter Fourteen: Comic Conflict (FRASIER)
* Chapter Fifteen: Asymmetric Conflict (A Raisin in the Sun)
* Chapter Sixteen: Indirect Conflict (The Great Gatsby)
* Chapter Seventeen: Reflexive Conflict (Fraulein Else and The Museum of Innocence)
* Chapter Eighteen: Minimal Conflict (LOST IN TRANSLATION)
* Chapter Nineteen: Mastering the Craft
· · · · · · (收起)
* Chapter One: The Full Definition of Dialogue
* Chapter Two: The Three Functions of Dialogue
* Chapter Three: Expressivity I: Content
* Chapter Four: Expressivity II: Form
* Chapter Five: Expressivity III: Technique
## Part Two: Flaws and Fixes
* Introduction: Six Dialogue Tasks
* Chapter Six: Credibility Flaws
* Chapter Seven: Language Flaws
* Chapter Eight: Content Flaws
* Chapter Nine: Design Flaws
## Part Three: Creating Dialogue
* Chapter Ten: Character-Specific Dialogue
* Chapter Eleven: Four Case Studies
## Part Four: Dialogue Design
* Chapter Twelve: Story/Scene/Dialogue
* Chapter Thirteen: Balanced Conflict (THE SPOPRANOS)
* Chapter Fourteen: Comic Conflict (FRASIER)
* Chapter Fifteen: Asymmetric Conflict (A Raisin in the Sun)
* Chapter Sixteen: Indirect Conflict (The Great Gatsby)
* Chapter Seventeen: Reflexive Conflict (Fraulein Else and The Museum of Innocence)
* Chapter Eighteen: Minimal Conflict (LOST IN TRANSLATION)
* Chapter Nineteen: Mastering the Craft
· · · · · · (收起)
具體描述
用戶評價
評分
##收藏一下豆友@北溟魚的評論：寫得比《故事》好，更細節化更hands-on,但是呢，跟著學，到頂瞭也就是電影工廠流水綫的工人，都是程式化極強的規則，有些技巧寫多瞭自己就能想齣來，不用他講，有些規則恰恰是因為反其道而行之而造就瞭傑作。
評分##也不錯。這本和your screenplay sucks!一樣，說要多讀。羅伯特麥基有內功，不是速成的書。
評分##提供一個看對話的方式和思路，師傅領進門。
評分##中文版翻譯稍微有些問題，不過麥基老爺子的書不是那麼好翻譯就是瞭
評分##一本不如一本瞭
評分##中文版翻譯稍微有些問題，不過麥基老爺子的書不是那麼好翻譯就是瞭
評分##中文版翻譯稍微有些問題，不過麥基老爺子的書不是那麼好翻譯就是瞭
評分##非常好！受益匪淺！ 待筆記
評分##中文版翻譯稍微有些問題，不過麥基老爺子的書不是那麼好翻譯就是瞭
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