具體描述
用戶評價
##七十年代的日本文化圈，比較熟悉的有寺山修司、黑澤明和三島由紀夫，還有寶塚和淺草。作為一個gaijin，作者遺憾自己始終不能融入日本社會，最終選擇離開。但反觀西方人寫日本或東亞，大多也帶著獵奇濾鏡，エロ、グロ、ナンセンス，彼此彼此吧。就像書裏有句話說的：we were both gaijin for life.and we felt safer together.
評分##伊恩·布魯瑪公共曆史書寫之外的私人迴憶錄，一種久居遊客的 exoticism 和反嚮凝視。多麼幸運有人的二十若乾歲能如此度過。
評分高産作傢Ian Buruma的1975-1981在日本的迴憶錄。很零散，但一直都在探討gaijin（外人）在日本的狀態，如何（不）融入。讀來也不禁讓人想自己為什麼被日本文化吸引。有時候真是印證瞭多年前看Midnight in Paris（午夜巴黎）電影裏說的，大傢都在追逐過去的輝煌，不知自己的時代終有一天被未來的人追逐～
評分##To a romantic, open to other ways of being, Japan is full of wonders. Not that you will ever belong here. But that will set you free. And freedom is better than belonging. You see, here you can make yourself into anything you want to be.
評分##It was at an age even younger than the then Buruma when I sensed that my own destiny waiting ahead is what he said, to be déraciné is to be on the road forever. But I also couldn’t help thinking how his whiteness promised this kind of freedom of being a gaijin forever.
評分##To a romantic, open to other ways of being, Japan is full of wonders. Not that you will ever belong here. But that will set you free. And freedom is better than belonging. You see, here you can make yourself into anything you want to be.
評分##Nothing too profound, but Buruma writes well, a globalized form of good English. Interesting anecdotes about an era that I know little of.
評分##一個西方人眼中的70-80年代日本文藝圈。
評分##在日本逗留的時間可能很短，應該找些有趣的事情做！
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