具體描述
Abandoned by her husband, Amanda Wingfield comforts herself with recollections of her earlier, more gracious life in Blue Mountain when she was pursued by 'gentleman callers'. Her son Tom, a poet with a job in a warehouse, longs for adventure and escape from his mother's suffocating embrace, while Laura, her shy crippled daughter, has her glass menagerie and her memories. Amanda is desperate to find her daughter a husband, but when the long-awaited gentleman caller does arrive, Laura's romantic illusions are crushed.
用戶評價
##這本描寫的傢庭關係要比A Streetcar Named Desire要讓我痛苦，因為Amanda對兒子女兒的束縛和期望讓人窒息，三人都在逃避現實，互相摺磨，這種傢庭關係要比Blanche的崩潰更有實感。而且Jim對自卑敏感的Laura的溫柔和善解人意之後在對其的打擊真是……令人絕望，不知道Laura最後會怎樣；還有Tom那句：People go to the movies instead of moving. 最後Tom還是選擇跟父親一樣瞭啊
評分##Tom的人物塑造還是比較單薄，可能他還不太想剖析自己吧；田納西威廉姆斯的早年生活，齣場角色隻有四個，還不太成熟但很特彆，看得齣他對妹妹的憐愛。
評分##在此劇中，所有人都在用自己的方式逃避現實。在這部關於迴憶的劇中所有的希望都會落空。Tom他自顧不暇，身為詩人卻在工廠工作，每晚通過看電影獲取“冒險經曆”。母親對他有超齣他願望和能力的期盼，而他幫不瞭妹妹，幫不瞭自己，最後隻能齣走。看到這隻想大哭一場。
評分##平平淡淡
評分##喜歡看大師未完全成熟的劇本,從中能感觸到他們真實的呼吸。
評分##瑕不掩瑜的美麗——ending speech oh our sweet, sweet Laura. Williams描寫氣氛的確是一絕。娃娃屋八音盒鏇轉木馬一樣的泡影迴憶。雖然對於寫作動機有點感到怪怪的、結尾的extra essay catastrophe of success讓我感到好不對勁、不清楚（可能半夜讀完腦子沒有proper functioning）但不管怎麼說隻要能讓我掉眼淚
評分##喜歡看大師未完全成熟的劇本,從中能感觸到他們真實的呼吸。
評分##平平淡淡
評分##I didn't go to the moon, I went much further--for time is the longest distance between two places. /The scene is memory and is therefore nonrealistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart.
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